2018 Winter/Spring Flaherty NY

Moving beyond the singular viewpoint, COMMON VISIONS proposes a critical look at a multitude of collaborative practices. Collective productions, works that interrogate the commons, public sphere and cultural memory, or that invest in a non-hierarchical relationship between those behind and in front of the camera can become generative tools to not only think through reality but beyond it into productive imaginaries. While focusing on an international scope of practices—primarily from the 1960s-70s and today—this series shows how multiplicity, liveness, uncertainty, camaraderie and friction can produce works both urgent and untidy, works that position their viewpoints and subjectivities between not only their makers but their viewers as well.

Programmed by Almudena Escobar López & Herb Shellenberger
Every Other Tuesday, Jan 16 – Mar 27, 2018
7pm Anthology Film Archives (32 2nd Avenue)

PROGRAM 4
FREE JAZZ WITH BODIES
Tuesday, February 27, 7pm
Nadia Granados and Amber Bemak in person.

Alice Anne Parker RIVERBODY U.S., 1970, 6 min, 16mm
KwieKulik ACTIVITIES Poland, 1972, 12 min, 16mm-to-digital
Luca Maria Patella TERRA ANIMATA Italy, 1967, 7 min, 16mm-to-35mm
Nadia Granados & Amber Bemak BORDERHOLE Mexico, 2017, 14 min, digital
Luca Maria Patella SKMP2 Italy, 1968, 30 min, 16mm-to-35mm
KwieKulik GAME ON MOREL’S HILL (GROUP ACTION) Poland, 1971/2006, 15 min, digital

Rather than focusing on collaboration behind the camera, this screening looks at the ways that literal bodies become incorporated within the field of vision, often in conjunction with movement, sound, landscape, and politics. Alice Anne Parker facilitates a continuous dissolve between 87 nude bodies, whereas Luca Maria Patella’s TERRA ANIMATA animates figures within an abstracted landscape. BORDERHOLE expresses the political and spatial implications of an imaginary border between Colombia and the United States through movement and news footage. KwieKulik’s experiment on Morel’s Hill shows two groups working out a philosophical argument strictly by means of visual communication.

OUTsider 2018 February 14TH-18TH

Sao Paulo, Brasil. Enero 13/2013
8vo Encuentro Hemisférico de Performance y Política.

15/02. 18H. LA FULMINANTE CABARET. In  THE VORTEX

OUTsider is an Austin-based transmedia nonprofit that celebrates the bold originality and creative nonconformity of the LGBTQ+ communities through the presentation of provocative, overlooked and out-of-the-box film, dance, theater, performance art, music, writing and visual art.

Through its annual festival and conference, OUTsider unites queer artists, audiences and scholars from around the globe to exchange ideas, ignite conversations, transcend boundaries and experience new pleasures through artistic discovery.

2017

POSTSCRIPTUM, UNA LINEA DE POLVO, ARTE Y DROGAS EN COLOMBIA.

SAY WHEN: a mini festival
Dec 1-3, 2017

DECEMBER 2:  COLOMBIANIZACION PHOTOS BY Takahiro Yamamoto

Featuring: sidony o’neal, Seanna Musgrave, Linda Austin, Hannah Piper Burns, Jin Camou, Nadia Granados (Bogotá, Colombia), Coast2c

SAY WHEN is an opportunity to engage with the work of local and international artists in casual environment. SAY WHEN is multi-dimensional with artists working in performance, sculpture, video, installation, virtual reality, sound, text, dance and dance. SAY WHEN is happening in 3 different venues and neighborhoods. Expounding on PE’s past “reading groups” SAY WHEN is also a 3 day reading group with texts suggested by the artists with time to hangout, eat, drink and engage between things. PE emphasizes that all levels and modes of engagement are valid and invite people to come, experience, read, feel, socialize, critique, move, listen..as much or as little as you like. I mean it’s free so nothing to lose right?

VIVA ART ACTION 4-7 NOV/2017. MONTREAL,CANADA.

04/NOV/17 COLOMBIANIZACION. PHOTOS BY KIMURA BYOL  http://vivamontreal.org/2017/nadia-granados-perf/